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Re: 157: Transcendence vs. The Last In Line

BeitragVerfasst: 2. November 2017, 11:11
von Hofi
Dio.

Re: 157: Transcendence vs. The Last In Line

BeitragVerfasst: 2. November 2017, 23:06
von Pavlos
Kubi hat geschrieben:
Pavlos hat geschrieben:
Schnuller hat geschrieben:...und da liegt die Trancendence klar vorne....wie geil wäre die wohl geworden, wenn da kein Drummy spielen würde....


Nee, oder?!


1988 gab es doch noch gar keine Computer.


In Berlin vielleicht nicht, aber wer weiß, was damals so alles in Florida getrieben wurde. Also Schnuller, erkläre Dich..

Re: 157: Transcendence vs. The Last In Line

BeitragVerfasst: 4. November 2017, 12:01
von Franko
CRIMSON GLORY :yeah:

Re: 157: Transcendence vs. The Last In Line

BeitragVerfasst: 6. November 2017, 07:57
von Chastain
Keine Ahnung, wie valide das ist...habe aber das zum Thema gefunden:

The drums are a combination of both live and sampled drums. The band sampled drummer Dana Burnell performing live drums into asynclavier without any cymbals, and then re-recorded the cymbals live later in order to have complete separation of drums and cymbals. Guitarist Jon Drenning stated "It was a very arduous and time consuming way to do it but at the time it seemed like something we wanted to try to achieve; a pristine, clean sound and true separation of all instruments."[3]

Re: 157: Transcendence vs. The Last In Line

BeitragVerfasst: 6. November 2017, 10:17
von Azrael
:yeah: Crimson Glory :yeah:

Re: 157: Transcendence vs. The Last In Line

BeitragVerfasst: 6. November 2017, 22:14
von Pavlos
Chastain hat geschrieben:Keine Ahnung, wie valide das ist...habe aber das zum Thema gefunden:

The drums are a combination of both live and sampled drums. The band sampled drummer Dana Burnell performing live drums into asynclavier without any cymbals, and then re-recorded the cymbals live later in order to have complete separation of drums and cymbals. Guitarist Jon Drenning stated "It was a very arduous and time consuming way to do it but at the time it seemed like something we wanted to try to achieve; a pristine, clean sound and true separation of all instruments."[3]


Danke.